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Olivia Wilde Hit Bottom. Here's How She Bounced Back. artwork

Olivia Wilde Hit Bottom. Here's How She Bounced Back.

The Daily

November 14, 2026

The actor-director learned a lot about shame, regret and failure — and then made a hit movie. Thoughts? Transcripts of each episode will be made available by the next workday. Hosted by Simplecast, an AdsWizz company.

Speakers Olivia Wilde, David Marchese

TopicsDaily NewsNews

SPEAKER_1 (0:00)

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Olivia Wilde (0:35)

You know, I used to go around being like, I don't have any regrets. I regret nothing. And it's like you get to a point where you're like, yeah, I regret things.

David Marchese (0:46)

I'm David Marchese and today I'm in London to talk to Olivia Wilde.

Wilde is having a big year. The Invite, the third movie she's directed, is a grown up comedy about a couple on the rocks and their sexy neighbors upstairs.

Olivia Wilde (0:59)

I think that in a relationship, it is not the aggressive rage. It is the indifference that is truly terrifying.

David Marchese (1:08)

The movie is funny, sharp and affecting, and it feels like a reset after Wilde's previous film, Don't Worry Darling, generated a ton of tabloid attention.

Olivia Wilde (1:18)

I think that every story needs a villain, and I was cast as said villain.

David Marchese (1:23)

She had recently split from her longtime partner Jason Sudeikis and was then in a relationship with Harry Styles, who also starred in Don't Worry Darling.

Four years later, Wilde has not only pushed past all that with The Invite, she's also delivered memorable roles in two other films. Director Greg Araki's I Want Your Sex.

Olivia Wilde (1:41)

As a younger actress, you don't think that you're going to turn 40 and play a dominatrix.

David Marchese (1:48)

And the upcoming Behemoth. So how did Wilde not only survive an extremely difficult career moment, but also come out stronger from it?

Olivia Wilde (1:56)

It is by far the most difficult, painful decision I've ever made in my life.

David Marchese (2:03)

Here's my conversation with Olivia Wilde.

Olivia, hi. Hi. Thank you for being here.

Olivia Wilde (2:10)

Oh, my pleasure.

David Marchese (2:12)

I just want to say at the beginning, earlier today when we were setting up the very lovely crew were debating whether or not the couple at the end of the invite stayed together.

SPEAKER_1 (2:25)

I love that they were.

Olivia Wilde (2:27)

That's great. That's my favorite argument to hear about.

David Marchese (2:30)

Wait, so they did, right?

Olivia Wilde (2:32)

Oh, interesting.

David Marchese (2:33)

No, the couple stayed together.

Olivia Wilde (2:35)

But it's interesting that that's your position?

David Marchese (2:37)

Yeah.

Olivia Wilde (2:38)

I will tell you, when we shot the film, I felt very strongly that they did not stay together. And Seth had the opposite opinion. He was sure that they stayed together forever. And as we've now watched the film with a bunch of audiences, I've started to actually shift. Like my feeling about the story has been affected by the conversations I've had with audiences afterwards. Where I'm like, you might be right. There's hope for them.

I think I've just kind of softened.

David Marchese (3:11)

But I really like a happy ending. Can you please confirm for me that they-

Olivia Wilde (3:14)

Yes, they stay together forever and ever and ever. They should make it work. They can make it work.

David Marchese (3:20)

Yeah. I was also thinking about the three roles you played this year.

In The Invite and I Want Your Sex and Behemoth, which I just saw last week.

Olivia Wilde (3:33)

Oh, great.

David Marchese (3:34)

All the characters to me, they're like kind of very tightly wound in a way.

Olivia Wilde (3:39)

Yes. True.

David Marchese (3:41)

I just wondered if now being a director changed how you saw yourself as an actor or like what you... Yeah. So tell me about that. How so?

Olivia Wilde (3:52)

I think that being a director freed me up to not feel this kind of pressure to be the ideal ingenue growing into the idealized female character in any film. As an actress, I felt, I think, probably wary of playing characters who could be thought of as undesirable, unlikable. And then something about not needing acting to be my profession, but rather doing it for fun because my job very much feels like it is directing. I think that now I choose roles from a much more curious place of a playful place that is allowing me to play people who I think I'm not overly concerned with, whether they are someone I would necessarily want to be. But you're so right, I hadn't put together that these three characters are like extremely high-strung in different ways. My character in I Want Your Sex sort of felt like she was on the opposite end of the spectrum of femininity as my character in The Invite.

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